{"id":671,"date":"1995-11-30T09:24:46","date_gmt":"1995-11-30T09:24:46","guid":{"rendered":"http:\/\/segnaledigitale.org\/dev\/?p=671"},"modified":"2021-08-17T08:52:05","modified_gmt":"2021-08-17T06:52:05","slug":"borders","status":"publish","type":"post","link":"https:\/\/segnaledigitale.org\/dev\/borders\/","title":{"rendered":"Borders"},"content":{"rendered":"<p><span style=\"color: #ffffff;\">Directed by<\/span> <strong><span style=\"color: #ffffff;\">Elio Gelmini<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Production<\/span>: <strong><span style=\"color: #ffffff;\">A Few Steps Production<\/span><\/strong> &#038; <strong><span style=\"color: #ffffff;\">Segnale Digitale<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Editing<\/span>:<strong><span style=\"color: #ffffff;\"> Elio Gelmini<\/span><\/strong>, <strong><span style=\"color: #ffffff;\">Dennis Day<\/span><\/strong><\/p>\n<p><span style=\"color: #ffffff;\"><strong>Sinopsys<\/strong><\/span><br \/>\nA visual poem where the author describes by means of laconic passages that which can be described with metaphors. In the representation of death, a distant voice, that of <strong><span style=\"color: #ffffff;\">Pier Paolo Pasolini<\/span><\/strong>.<\/p>\n<p>The cry of battle lives on despite its conflict with reality, again against the marginalization of people, their suffering and discrimination. These are the crossings which constitute the theme of &#8220;Borders.&#8221; An homage to all people who, after all, have a clear conscience.<\/p>\n<div class=\"videoWrapper\"><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/47120068?byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/div>\n<p><strong><span style=\"color: #ffffff;\">Screenings<\/span><\/strong>:<\/p>\n<p>\u2022 <strong><span style=\"color: #ffffff;\">Espacio Escultorico<\/span><\/strong> Mexico City &#8211; Mexico &#8211; March 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Inside \/ Out film &#038; Video Festival<\/span><\/strong> Toronto &#8211; Canada &#8211; May 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Locarno Video Art Festival<\/span><\/strong> Locarno Switzerland &#8211; September 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">5TH Mondial Video Brussels<\/span><\/strong> &#8211; Belgium &#8211; November 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Kulturlufbrucke Lesbish Schwules<\/span><\/strong> Film Hamburg &#8211; Germany &#8211; November 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Pleasure Dome<\/span><\/strong> &#8211; New Toronto Works Canada &#8211; December 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">La Guillotina Art Magazine<\/span><\/strong> of Mexico &#8211; Selected for the European tour &#8211; January 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Turin International Gay &#038; Lesbian<\/span><\/strong> Film Festival Torino &#8211; Italy &#8211; April 1995<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">10Th London Lesbian &#038; Gay Film Festival<\/span><\/strong> London &#8211; England &#8211; March-April 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">14 World Wide Video Festival<\/span><\/strong> Den Haag &#8211; Netherlands &#8211; April 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">12Th International Hamburg Short Film Festival<\/span><\/strong> Hamburg &#8211; Germany &#8211; June 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Independent Exposure<\/span><\/strong> Seattle &#8211; U.S.A. &#8211; August 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">11Th Brest Short Film Festival<\/span><\/strong> Brest &#8211; France &#8211; November 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Independents Day<\/span> <\/strong>Minneapolis &#8211; MN &#8211; July 1998<br \/>\n\u2022<strong><span style=\"color: #ffffff;\"> Ovarvideo 99 National Festival<\/span><\/strong> Video of Ovar \u2013 Portugal \u2013 October 1999<br \/>\n\u2022<strong><span style=\"color: #ffffff;\"> BLOWING BUBBLES 7th edition<\/span><\/strong> Milan \u2013 Italy \u2013 December 1999<!--:--><!--:es--><strong><span style=\"color: #ffffff;\">Borders<\/span><\/strong><br \/>\n1995, 7 min.<br \/>\n<span style=\"color: #ffffff;\">Regidor<\/span>: <strong><span style=\"color: #ffffff;\">Elio Gelmini<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Producci\u00f3n<\/span>: <strong><span style=\"color: #ffffff;\">A Few Steps Production<\/span> <span style=\"color: #ffffff;\">&#038; SEGNALEDIGITALE<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Montaje<\/span>: <span style=\"color: #ffffff;\"><strong>Elio Gelmini<\/strong><\/span>, <strong><span style=\"color: #ffffff;\">Dennis Day<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p><!--:it-->1995, 7 min.<br \/>\nUn poema visual donde el autor opera a trav\u00e9s del paso lac\u00f3nico describible con met\u00e1foras. En la representaci\u00f3n de la muerte, una voz lejana, la de Pier Paolo Pasolini&#8230;<\/p>\n<p><!--:--><!--:en-->1995, 7 min.<br \/>\nA visual poem where the author describes by means of laconic passages that which can be described with metaphors&#8230;<\/p>\n<p><!--:--><!--:es-->1995, 7 min.<br \/>\nUn poema visuale raccontato attraverso laconici passaggi descrivibili con metafore. Nella rappresentazione della morte, una voce distante, quella di Pier Paolo Pasolini&#8230;<\/p>\n<p><!--:--><\/p>\n","protected":false},"author":5,"featured_media":672,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[8],"tags":[],"class_list":["post-671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/comments?post=671"}],"version-history":[{"count":22,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/671\/revisions"}],"predecessor-version":[{"id":4315,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/671\/revisions\/4315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/media\/672"}],"wp:attachment":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/media?parent=671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/categories?post=671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/tags?post=671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}