{"id":668,"date":"1996-09-23T09:18:51","date_gmt":"1996-09-23T09:18:51","guid":{"rendered":"http:\/\/segnaledigitale.org\/dev\/?p=668"},"modified":"2021-08-17T08:55:31","modified_gmt":"2021-08-17T06:55:31","slug":"lets-talk-about-politics","status":"publish","type":"post","link":"https:\/\/segnaledigitale.org\/dev\/lets-talk-about-politics\/","title":{"rendered":"Let&#8217;s Talk About Politics"},"content":{"rendered":"<p><!--:it--><\/p>\n<div class=\"videoWrapper\"><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/47722698\" width=\"500\" height=\"375\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><strong><span style=\"color: #ffffff;\">Let&#8217;s Talk About Politics<\/span><\/strong><br \/>\n1996, 10 min.<br \/>\n<span style=\"color: #ffffff;\">Directed by<\/span> <strong><span style=\"color: #ffffff;\">Elio Gelmini<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Production<\/span>: <strong><span style=\"color: #ffffff;\">A Few Steps Production<\/span><\/strong> &#038; <strong><span style=\"color: #ffffff;\">Segnale Digitale<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Editing<\/span>: <strong><span style=\"color: #ffffff;\">Elio Gelmini<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #ffffff;\">Sinopsys<\/span><\/strong><br \/>\n<strong><span style=\"color: #ffffff;\">Let\u2019s Talk About Politics<\/span><\/strong> is an experimental film that uses dream sequences interspersed with ironic social commentary. Set in an unnamed Latin American Country, Gelmini presents the viewer with images of corrupt official and military men. <\/p>\n<p>An opulent setting of sloth and puppets, signifying abuses of power, is intercut with beautiful shots of a man making love to himself in a mirror while his lover lays dying on the bed. The soft, gauzy focus of the shots give the film a beautiful and romantic feel to contrast its biting satire.<\/p>\n<p><strong><span style=\"color: #ffffff;\">Screenings<\/span><\/strong><\/p>\n<p>\u2022 <strong><span style=\"color: #ffffff;\">Inside \/ Out Film &#038; Video Festival<\/span><\/strong> Toronto &#8211; Canada &#8211; May-June 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Image Out Film &#038; Video Festival<\/span><\/strong> Rochester, New York &#8211; USA &#8211; Oct 1996<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Foreign Show<\/span> <\/strong>Seattle &#8211; USA &#8211; March 1998<br \/>\n\u2022<strong><span style=\"color: #ffffff;\"> Mansion Theatre<\/span><\/strong> Baltimore &#8211; USA &#8211; March 1998<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Foreign Show<\/span> <\/strong>Maryland &#8211; USA &#8211; March 1998<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Artist TV Access<\/span> <\/strong>San Francisco &#8211; March 1998<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Independent Exposure<\/span><\/strong> <a href=\"http:\/\/www.thesync.com\/indexposure\/arch3.html\">http:\/\/www.thesync.com\/indexposure\/arch3.html<\/a><!--:--><!--:es--><\/p>\n<div class=\"videoWrapper\"><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/47722698\" width=\"500\" height=\"375\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p><!--:it-->1996,10 min.<br \/>\nLet\u2019s Talk About Politics \u00e8 un film sperimentale che utilizza sequenze oniriche alternate a un ironico commento sociale. Ambientato in un paese latinoamericano&#8230;<\/p>\n<p><!--:--><!--:en-->1996,10 min.<br \/>\nLet\u2019s Talk About Politics is an experimental film that uses dream sequences interspersed with ironic social commentary&#8230;<\/p>\n<p><!--:--><!--:es-->1996,10 min.<br \/>\nLet&#8217;s Talk About Politics es una pel\u00edcula experimental que utiliza secuencias on\u00edricas alternadas a un ir\u00f3nico comentario social&#8230;<\/p>\n<p><!--:--><\/p>\n","protected":false},"author":5,"featured_media":669,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[8],"tags":[],"class_list":["post-668","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/comments?post=668"}],"version-history":[{"count":25,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/668\/revisions"}],"predecessor-version":[{"id":1658,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/668\/revisions\/1658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/media\/669"}],"wp:attachment":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/media?parent=668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/categories?post=668"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/tags?post=668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}