{"id":144,"date":"2006-08-06T07:10:35","date_gmt":"2006-08-06T07:10:35","guid":{"rendered":"http:\/\/www.chimpstudio.co.uk\/wp-demo\/soundrock\/?p=144"},"modified":"2021-08-17T09:14:33","modified_gmt":"2021-08-17T07:14:33","slug":"anger-me","status":"publish","type":"post","link":"https:\/\/segnaledigitale.org\/dev\/anger-me\/","title":{"rendered":"Anger Me"},"content":{"rendered":"<p><!--:it--><\/p>\n<div class=\"videoWrapper\"><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/84086547?byline=0&amp;portrait=0\" width=\"1200\" height=\"675\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p><strong><span style=\"color: #ffffff;\">Anger Me<\/span><\/strong><br \/>\n2006, 70 min.<br \/>\n<span style=\"color: #ffffff;\">Directed by<\/span> <strong><span style=\"color: #ffffff;\">Elio Gelmini<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Production<\/span>: <strong><span style=\"color: #ffffff;\">A Few Step Productions<\/span><\/strong> &#038; <strong><span style=\"color: #ffffff;\">SEGNALE DIGITALE<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Editing<\/span>: <strong><span style=\"color: #ffffff;\">Carlo Vitali<\/span><\/strong><br \/>\n<span style=\"color: #ffffff;\">Website<\/span>: <a href=\"http:\/\/www.angerme.com\/\">www.angerme.com<\/a><\/p>\n<p><strong><span style=\"color: #ffffff;\">Sinopsys<\/span><\/strong><br \/>\nThe documentary &#8216;<strong><span style=\"color: #ffffff;\">Anger Me<\/span><\/strong>&#8216;, produced by <strong><span style=\"color: #ffffff;\">SEGNALE DIGITALE\u00a0<\/span><\/strong> and<span style=\"color: #ffffff;\"> A Few Steps Production<\/span>, is the story of the life, literary and motion-picture accomplishments of <strong><span style=\"color: #ffffff;\">Kenneth Anger<\/span><\/strong>, a pivotal figure in the history of experimental film.<\/p>\n<p>An innovator and a pioneer, he literally blazed his own trail. Considered to be one of the major personalities of the 1960&#8217;s and 1970&#8217;s underground art scene, Kenneth defined himself as a &#8220;cinematographic magician&#8221; and his &#8220;cinema&#8221; as a ritualistic form. Anger&#8217;s films have taken audiences places where only great film poets can arrive.<\/p>\n<p>In 1947 in Los Angeles, while his parents were away, a young Kenneth took his family&#8217;s film camera and shot a short, dramatic film entitled &#8220;Fireworks&#8221;, which is now considered one of the seminal works of experimental film. Expressive, imagistic, sexually charged, and made with the help of friends (and apparently without a script), \u201cFireworks\u201d brought to the screen an unconstrained vision and an almost unbelievable candor.<\/p>\n<p>Kenneth Anger also led in the field of visualization of homo-erotic imagery. &#8220;Fireworks&#8221; was a film that went beyond maturity and sexual conscience &#8211; an extraordinary event considering that it was made in 1947. Kenneth did not cross over to commercial cinema.<\/p>\n<p>Throughout his career he has been completely devoted to uncompromising expression. Since the 1960\u2019s, Kenneth Anger&#8217;s films have been the subject of many books, film panels and film theory courses. Although he has never made a commercial music video, he has even been called the &#8220;<strong><span style=\"color: #ffffff;\">Godfather of MTV<\/span><\/strong>&#8220;.<\/p>\n<p><strong><span style=\"color: #ffffff;\">Screenings<\/span><\/strong><br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Atlantic Film Festival<\/span><\/strong> &#8211; Halifax, Nove Scotia, September 2006- Canada<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Cinema Bloor<\/span> <\/strong>&#8211; Toronto, October 2006, Canada.<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Festival Nouveau Cinema<\/span><\/strong> &#8211; Montreal, October 2006, Canada.<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Viennale Film Festival<\/span><\/strong> &#8211; Vienna, October 2006, Austria<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">BFI 50th London Film Festival<\/span><\/strong> &#8211; London, October 2006. England.<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Torino Film Festival<\/span><\/strong>. 10-18 novembre 2007. Italia.<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">CPH:DOX Stockolm International Documentary Film Festival<\/span> <\/strong>10-19 nov 2006<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Bradford Film Festival<\/span><\/strong> &#8211; March 2007. England.<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Buenos Aires International Festival of Independent Cinema<\/span><\/strong>. April 3-15. Argentina<br \/>\n\u2022 <strong><span style=\"color: #ffffff;\">Film Museum-Mus\u00e9e du Cinema. Brussels<\/span><\/strong>. Belgium. November 2007.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-id=\"3098\"  src=\"http:\/\/segnaledigitale.org\/dev\/wp-content\/uploads\/2006\/08\/Anger-Me.jpeg\" alt=\"Anger Me\" width=\"680\" height=\"612\" class=\"alignnone size-full wp-image-3098\" srcset=\"https:\/\/segnaledigitale.org\/dev\/wp-content\/uploads\/2006\/08\/Anger-Me.jpeg 680w, https:\/\/segnaledigitale.org\/dev\/wp-content\/uploads\/2006\/08\/Anger-Me-300x270.jpeg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p><!--:it-->2006, 70 min.<br \/>\nIl documentario \u201cAnger Me\u201d e&#8217; la storia della vita e del talento letterario e cinematografico di Kenneth Anger, una figura cardine nella storia del cinema sperimentale&#8230;<!--:--><!--:en-->2006, 70 min.<br \/>\nThe documentary &#8220;Anger Me&#8221; and &#8216;the story of the life and literary talent and film by Kenneth Anger, a pivotal figure in the history of experimental film&#8230;<!--:--><!--:es-->2006, 70 min.<br \/>\nEl documental &#8220;Anger Me&#8221; es la historia de la vida y del talento literario y cinematogr\u00e1fico de Kenneth Anger, una figura cardinal&#8230;<!--:--><\/p>\n","protected":false},"author":1,"featured_media":647,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[9,8],"tags":[],"class_list":["post-144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dvd","category-video"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/comments?post=144"}],"version-history":[{"count":25,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/144\/revisions"}],"predecessor-version":[{"id":4331,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/posts\/144\/revisions\/4331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/media\/647"}],"wp:attachment":[{"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/media?parent=144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/categories?post=144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/segnaledigitale.org\/dev\/wp-json\/wp\/v2\/tags?post=144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}